Quote:
Originally Posted by Rndm_Perfection
What the hell are you talking about?
I respect The Matrix, as it's religious embodiment was overshadowed by the intillectual conflicts that so many fanboys had troubled with. In the end, it was a very complex manipulation of religious tales.
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Complex? More like muddled and obvious. It was like someone was beating me in the head with a wiffleball bat. I could see them doing it, but can't really feel it and I am left wondering why they are doing it at all.
In the end the Wachowski's had an excellent plot, but did not have the chops to put it together in an artful fashion, much like Underworld. Instead of taking some of the time from the overly long action sequences to build up their characters are allow the story to further the plot, they preferred to rely on effects and action to sell tickets and then proceed to "tell" you the story in long, convoluted monologues that attempted to exchange vocabulary for inspiration. The first rule in any creative field is that you should "show" your audience your inspiration, and not "tell" them. You can tell me that Neo and Trinity are in love, but you can't make me believe it by just telling me and you sure as hell can't make me care by having them kiss a lot.
In the end the Matrix 2 and 3 illustrated why some writer/directors NEED the support system that studios can provide. There was no one to keep them in check. The Wachowski brothers became lost in their own universe and with no one to bring them back, they only served to babble to their own egos.
If you like the this movie, thats fine. There are plenty of bad movies that a lot of people like. You may like this movie, but do not mistake it for good cinema and surely not art.
You want an incredibly well put together trilogy of epic films? Lord of the Rings. Peter Jackson is a friggin' genius. He mixes CG, forced perspective and splices together endless miniatures for one purpose... to SUPPORT THE STORY, not replace it. He understands that for us the audeince to care about the characters in the film, we must first get to know them. We must feel loss when they fall. This is why I like his extended versions of his first film much more than the theater edition. He spends more time developing the characters.
Someone asked what movies I like: well here are my favorites no particular order:
The Seven Samurai (Kurosawa was the greatest action director ever)
Ran (pronounced Raan)
Akira
Miller's Crossing
The Lord of the Rings Series
Braveheart
Raising Arizona
The Field
Yojimbo
Unforgiven
The Quiet Man
Hard Boiled
2001: A Space Odyssey
Nosfersatu (both the original and the Werner Herzog remake)
The Prophecy
They Live (best B movie EVER)
The Shining
Seconds
American Psycho
The Manchurian Candidate
I guess I could go on, but 20 is enough.