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Re: Last movies you saw
Saw Lincoln tonight. It's...one of the best movies I've ever seen.
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That's not the vampire movie, is it?
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Watched Payback.. some meh film noir type deal with Mel Gibson.
Fairly by the book revenge flick with lackluster characters |
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Looper - Good time travel flick.
Seven Psychopaths - This movie took me a bit of time to get into but by the time the metafilm motif really got developed I was loving it. Great movie! Treasure Island - Super long, direct2dvd goodness. Quite enjoyable over the course of a couple nights. Definitely long... |
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Safety Not Guaranteed
Fantastic. Pretty cool to build a movie around that ad. Chimpanzee David Attenborough Tim Allen is not. Really did not like the narration. And swing music. Because they swing in trees, get it?! Sighs. The anthropomorphism was overdone. It's very much a kids movie. Would have much preferred it to be silent. The animal footage was quite nice by itself. I found the short bit with the film makers during the credits to be the most interesting part. Made me really want to see a nature show sort of like that of the honey badger where the narrator increasingly goes off script. |
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Go watch some Life, that will make you feel better.
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The New World. 7/10.
Such a slow movie. I see what they were going for, but it didn't really work. The actress that played Pocahontas really saved this movie. Wow, what a gorgeous and cute girl. Edit: Saw The Dark Knight Returns. I'll give it a 6/10 because I didn't fall asleep this time. What a messy movie. Random plot twists with a huge Deus Ex Machina at the end. I guess they were trying to make the 3rd movie the biggest yet in terms of villainous acts... and they were willing to sacrifice everything for that. I still don't get what people (mostly Americans from what I see) see in TDK/TDKR. Oh and yes, Bane's voice was laughable. Or utterly annoying, I can't really decide. |
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Oh come on, that villain behind the curtains at the end? That was totally random. That's just a plot twist for the sake of a plot twist. They might as well have revealed that his butler was actually his father, or that Bane was actually Batman's shizo alterego.
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Yeah, I enjoyed that plot twist.
Also I don't think that's deus ex machina anyway. Deus ex machina is when some previously unmentioned event or piece of technology saves everyone at the last second. It would be like if the bat plane hadn't been mentioned the entire movie, then suddenly Bruce had a bat-plane right when he needed it. |
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The original term deus ex machina comes from Greek theatre. Whenever the plot was at a dead point or the writers couldn't come up with anything interesting, they'd introduce a God (deus) that suddenly changed something. They lowered him onto the stage with a crane (machina).
So the term deus ex machina can apply to persons, story elements, plot twists, etc. Think of somebody returning to the screen, even though you watched him die in one episode. Or a bit of extra info that changes the whole story. Random stuff like that. Or a love interest suddenly turning out to be the daughter of your arch enemy. The auto pilot of the Bat (hey, I remembered the name!) turning out to have worked all along, even though you saw Batman sitting in the Bat when he flew out to sea is another good example. Anyway, that's what I was taught what deus ex machina means. |
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Well, the google definition is:
Noun: An unexpected power or event saving a hopeless situation, esp. as a plot device in a play or novel. |
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Oh well, whatever we call it, the movie was full of it.
And why are these villains so retarded? - Some woman wants to blow up the whole city.... but she gives her enemies enough time to stop her. - They trap all the city's police men underground for 3 months... but they keep them so well fed, shaved and trained that they're ready to fight when they get out. - They carry guns, but don't know how to use them. But where's the fun in a gun if you can just get knocked out in hand2hand combat? Again: gotta give those good guys a chance! I know that's the case in basically every action (hero) movie, but I've never seen it so frustating as in this movie. Anyway, I better stop now, because I know there are a lot of TDK fans here and I don't want to annoy anyone. |
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No Angrist, you are not alone in your sentiments.
It was probably the most squeamish/irritated/embarrassed moment I have ever experienced when the trapped cops got out to fight the baddies. It was so intolerably awful that I could only laugh. Inexcusable is the right word to use. The production value and use of scene development was top notch however. Nolan is an amazing director in terms of giving a shit about the blockbuster genre. He actually puts the effort in and I appreciate that much. I do regret supporting it at the box office though. The whole social commentary thing that carried over from TDK and the terrorist element has become a hoary excuse to shape the perceptions of kids a whole lot younger than us who don't have the full capacity to segment this type of fiction appropriately. I'm interested in seeing Killing Them Softly because it sounds like 'extreme violence' being used as a metaphor-device, commenting on the post-bailout America in terms of repercussions. Capitalist 'look out for yourself' resulting in the further shredding of social fabric. Or, it's just a violence gappa that drew Pitt in with a paycheck? |
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And even give the audience a hint, hint, wink wink at Bruce being able to fix it. I believe Lucious says something like a smarter mind.. or a less busy mind would be able to fix it During the closing montage, you learn that Bruce pretty much fixed the autopilot as soon as he got The Bat The bigger complaint would be WHEN did he exit the Bat exactly. Quote:
During the entire film, Bane beats it over the audience's head that he isn't blowing up the bomb right away because he wants to give people "hope" So it's a city-wide torture of sorts. Quote:
Would imagine their vision has to be a bit screwy as well. |
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It's only a problem if it actively pulls me out of the experience. In this case, it pulled Angrist out of the experience, which I guess is fair. |
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[Argo semi-spoiler in this following paragraph] It's like watching a movie such as, say, Argo, and then near the climatic attempt to flee the country, Affleck's character starts to Rambo-dance with all the gunmen and then grabs the two ambassador women, flings them across his shoulders respectively and continues to gun down Iranian gruntmen and then proceeds to 'get this thing off the ground' by kicking out the pilots and fullthrottling the jet without take-off clearance: all to the music of MJ's "Thriller". Pretty much what Nolan did in TDKR with the culmination-debacle that capped off a 'realistic' conception of HIS Gotham. The pussification of Bane into a love-bound hound who's sole motivation wasn't entwined in Ras-Philosophy but instead a quest to seek revenge on the killer of his love's dadda. pffffffff what was he smoking with this ending? Did I miss something? Why the collective scape-goat of a city? Because it would hurt the Bat? Make him feel like a failure as protectorate? Seems like such a social-bent hollywood-trope statement that destroyed the possibilities that a fairly well done TDK established (at least in terms of hero-adaption genre fair). bad taste in mouth |
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The number one thing that took me out of the movie was the fire bat on the bridge. When did he even have the time to do that?
Heh. Didn't realize acting out Marion's death was a thing. |
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As for the fire bat thing. It's one of those scenes when it's value/visual outweighed the nonsensical happenstance for it. Batman arrives back in Gotham and one of the first thing he does is create a gasoline powered Bat signal on a bridge Which can only be triggered by police officers who have been exiled to death on the ice He puts the flare out in such a way that there was no guarantee they wouldn't sink/drown before they made it there. But it's a cool visual.. and serves a thematic purpose. So I allow it. |
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Batman is trying too hard to be a serious movie. If you want to make a realistic movie about super heroes, you are bound to run into trouble.
Now The Avengers went the other route and it works so much better. And when there's something unrealistic or unlogical, you just accept it because it's a movie about comic book characters. |
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This franchise is grounded. Not necessarily realistic. You are still dealing with a clan of trained ninjas, a guy in clown make-up, a hero who dresses up as a bat, a dude who created fear gas and all that other stuff. Just set in a much more conventional world. |
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I have no problem with all those things you mentioned. They're pretty toned down anyway to make them "realistic." Except it doesn't do the movies any favors by toning down the comic book elements while having unrealistic acting and grand nonsensical villainous plots. It's a weird halfway mess.
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I thought TDKR was as much of a Nolan film as it was a Batman film.
The fact is...we've had campy and fun Batman. Batman and Batman Returns are good films...Batman Forever and Batman & Robin are not good films. So you take the good with the bad....these new films are incredibly well done, in my opinion. And some of it is a bit over-the-top, and some of it is a bit pandering...and it's not all canon. But it works for the most part. I thought the "fire batman symbol on the bridge" was very comic-book-esque, and that worked for me. The cops being underground for 3 months didn't bother me. Also very comic-y, imo. Bane's speech at the stadium was a bit over-the-top, for me. His voice was fucking perfect though. I thought Bane's personality was great. The ending wasn't as good as the rest of the film...and fell way short of The Dark Knight...but A LOT OF MOVIES fall apart in the end. I think you could argue that Bane was sort of screwed over. I thought it was a Nolan ending, and not a "Batman" ending. I can overlook the hokey social commentary on terrorism and conservatism and all that stuff, because who gives a shit. I go into these movies with a comic geek boner, and tend to ignore most of the social commentary unless it's relevant to beliefs I already have. These ARE violent movies, and I probably wouldn't take young kids to them. I think there are clear tradeoffs with the Nolan franchise. On one hand, the movie isn't quite the comic experience as say: The Amazing Spider-Man, The Avengers, Hellboy, Sin City, or even Iron Man. On the other hand...the Nolan franchise does some stuff that blows those other movies away. This summer was good for comics. The Amazing Spider-Man had the best of both worlds....The Avengers was all comic book, and Batman was more of a Nolan movie than a comic. Between these 3 films, I think anyone can find something to like. Unless you are a dick. |
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The funny thing is, I never read comics (and tbh I think most of them are more silly than cool), but I loved The Avengers best.
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Real Steel
Quite fun. The Pirates! In an Adventure with Scientists! Loved this movie. Non-stop gags. Near impossible to catch them all in one viewing. Apparently the American version (Band of Misfits) changed some of the raunchier jokes and dubbed over a few of the characters with other actors. Weird how this PG movie can offend so many. They even had to change the leper boat to the plague boat (in both versions) because some leper group complained. |
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I'm watching these, and started with the Dark Knight Rises one.
And one of these nitpicks (And that's what it is) is the most annoying one I saw bought up. No one thought anything of Batman and Bruce Wayne dying on the same day.. The movie shows that dozens of people died on the same day as well during the big climactic fight including that cop.. so it's not like it was Bruce and Batman were the only people who died. So why would anyone suspect that Bruce was Bat.. hell.. Miranda died.. and the other goon died... rich people were keeling over in Gotham. Amazing Spiderman.. Lindsay Lohan if she had better parents.. got me good haha |
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I love honest trailers.
I saw Skyfall over the weekend. It was good - one of the prettiest movies I've seen in a long time. The use of lighting, colors, and shadows was incredible and worth the ticket price alone. There's just something about Bond movies, though, that I never enjoy them as much as I think I will. I'm not sure what it is - the basic premise of Bond is pretty straightforward and awesome sounding: suave secret agent doing action movie things. But in practice I find I'm never quite able to relate to him. He's ruthless and brutal almost to the point of not being a hero anymore, and I find the way women fall all over him to be unrealistic to the point it's just funny. For example, in Skyfall, when he approaches the women on the boat in the shower, and she's just like 'oh hai, sexy times nao'. First of all, it seems super risky to just get naked on a boat with enemies about. Second of all, this lady was sold into the sex trade. I doubt in reality she would be that open to having sex with a stranger. |
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I can't think of a franchise I like more than James Bond...and all the spoofs. Austin Powers, Archer, Chuck (soooo many references crammed into Chuck), The Pink Panther, Naked Gun, Hank Scorpio and the Simpsons, No One Lives Forever (video game), Help!....
It's probably my favorite genre, just by default. Skyfall felt more like reboot/homage rather than a straight up Bond movie...and the movie's biggest fault is it sort of felt exactly like The Dark Knight during that one scene in the middle. The ending scene was great, however, and was more of a Western-style standoff than anything (Home Alone didn't do it first, people). Quote:
He's certainly an icon of an older time...I thought Skyfall did good in avoiding a lot of the typical Bond cliches. The boat scene didn't cause me to pause my suspension of disbelief. I don't know...I agree with where you are coming from, but compared to say, Die Another Day, Skyfall is like real and unicorns. |
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The first point I'm a bit confused about. I was under the impression that she was the main's villain lover.. so these weren't her enemies. They were her protection. |
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I've actually not seen very many Bond movies...just Goldeneye, Casino Royale, and Skyfall. I really want to like them more - the premise is awesome. It's also worth mentioning I didn't have a very good theater experience during Skyfall...there were a couple of women a few seats down who wouldn't shut up. Ugh. I want to watch it again when it comes out on blu ray. |
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edit: I think I initially read your response wrong, but I can't remember what I thought you said, now. But anyway, I just imagine some guy comes in to ask her something: "What the heck, who is this?" |
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Essential Bond Viewing: Dr. No From Russia With Love Goldfinger You Only Live Twice Live and Let Die The Spy Who Loved Me The Man with the Golden Gun The Living Daylights Goldeneye Semi-essential: On Her Majesty's Secret Service A View To Kill Licence to Kill The World Is Not Enough And of course...all the new films are essential viewing...with Quantum being the sort of so-so film. |
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